A Cunning Blog

Long words. Short words. Words that say something.

The New Critic part 2

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"Is it any good?"The latest addition to the ABC — Australia’s Banned Critics — has sent me in search of meaning again. First stop, some definitions.

Criticism: the act of giving your opinion or judgment about the good or bad qualities of something or someone

Critical thinking: the process of actively and skillfully conceptualizing, applying, analyzing, synthesizing, and evaluating information to reach an answer or conclusion

Critical review: making judgments as to the truth, merit, relevance, effectiveness, breadth, or contribution to a particular field, as well as its informational structure.

Review: a critical article or report, as in a periodical, on a book, play, recital,or the like; critique; evaluation.

At the risk of being over simplistic, my take away from this is a three step plan.

  1. ask questions
  2. evaluate the evidence
  3. reach a position.

All three are essential.

Without questions, you’re accepting what you are reviewing at face value. Life ain’t that simple. Without evaluating the evidence you’re accepting your perception of what you’re reviewing at face value. Think again. Does the evidence really bear out your perceptions? And without reaching a position, you devalue your observations, and the whole process of review.

This is the framework from which I approach critical thinking in my academic work, my artistic endeavours and my arts reviews. Anything less would be disrespecting and trivialising the work with which I am attempting to engage and, please don’t doubt this, art and art-making is central to my being and it breaks my heart to see it routinely trivialised.

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All this as a prelude to my reaction to the latest banning. The torrid little tea cup of dissent that is Opera Australia’s relationship with the critical press is not, in the general scheme of things, big news. Life goes on. Ben not reviewing the OA Winter Season will probably not make a jot of difference to their ticket sales or their artistic development (although his excellent reporting might…)

However, in Australia, in the arts, in music this should be big news, because Opera Australia is a company which commands the lion’s share of arts funding in the country. Yes, it’s a power thing. When a publicly-funded organisation self-nominates itself as above criticism it is taking itself out of the artistic eco-system. When most artists are surviving on the gentle waft of the ubiquitous oily rag, it’s a slap in the face when a company which has, relatively speaking, generous access to the petrol pump, declares itself above the law. It is abandoning critical thinking, rejecting review, and trivialising the art.

And that, above all, is what makes me mad.

 

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Author: harryfiddler

Harriet Cunningham – aka @harryfiddler — is a freelance writer based in Sydney. Harriet wrote her first novel, about a runaway cat, at the age of 7. In the forty year gap between novel 1 and novel 2 she moved from London to Edinburgh to Sydney, ran an opera company, played violin on the opera house stage and sailed from Gove to Darwin. She is now a music critic and writer, best known as the critic who got banned by Opera Australia. She still hangs out at the Sydney Opera House, is still trying to get that novel published, and still plays the violin.

One thought on “The New Critic part 2

  1. Harriet,
    Your last paragraph is spot on.
    Its not just an arts thing, its a geo-politics trend…Who else recently has declared themselves ‘above the rules/ability to think & frame critically’…
    Never mind, off to negotiate the ‘fence for special VIPS’ that the Feds have got up around Macquarie St…
    Yours in a culturally enriched critically enabled future 😉
    Nicole…

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