Before reading this post, please take a few minutes to go and book tickets to one of the remaining four performances if there’s any way you can get there. You won’t regret it.
Done? Now read on.
Bach has a central place in the repertoire of violin players. You cut your teeth on the A minor concerto. Playing the Bach Double with your teacher for the first time blows your mind. You grow up with the Solo Partitas. So when you hear the Australian Chamber Orchestra playing Bach Violin Concertos you can expect the music to be in their bones, the rhythms in their blood, the slow movements like one great sigh, from the heart. Even so, I wasn’t prepared for how good this concert would be.
If ever a gig illustrated a killer strategy for making classical music sell, this one did. The strategy? It’s simple: be bloody good. You don’t need gimmicks when you play this well. You don’t even overt scholarship or extreme tempi or bells and whistles. You just do what you do. If you want details, there’s a formal review from me in the Sydney Morning Herald, but don’t go looking for incisive analysis because it’s a shameless gush, to be honest.
Not all performances can be this good. In fact, not all performances should be this good. Music-making doesn’t have to be a competitive event, and it certainly doesn’t have to be perfect. Every so often, however, it’s a treat to bask in the sheer bloody-goodness of JSB with ACO.
Further performances are on April 9 at 2pm, April 11 at 8pm and April 12 at 7pm, in Brisbane’s QPAC on April 10. Do go if you can. If not, It’s being livestreamed on ABC Classic FM at 2pm today, April 9, and then on demand at the ABC Classic FM website.
I promise I’ll sharpen my tongue next time…