I had to review the Australian Brandenburg concert for SMH last Friday. It was, as expected, a great concert. I make no secret of the fact that I’m a fan of mezzo soprano Fiona Campbell and have been ever since I saw her in Pinchgut’s Juditha Triumphans. This was my first opportunity to hear her on the concert platform, and it was terrific.
Come review writing time, however, I hit a knotty problem. Campbell is a very theatrical singer, and she was performing operatic arias. To heighten the drama, she had four costume changes during the evening. Would it be frivolous to review the dresses as well as the music?
In the end, this is all that 350 words could fit.
But it got me thinking about onstage concert gear. For the diva, a wardrobe full of glitzy evening gowns is de rigeur. For most orchestral musicians, however, the choice is black tie, white tie, or, more often than not, just common-or-garden ‘concert blacks’. These days, as classical ensembles react to the flight-to-hipness, more and more ensembles are getting trendy. The Australian Chamber Orchestra have had Akira Isogawa designing their outfits for nearly a decade now, and Carla Zampatti designs the ladies outfits for the Australian Brandenburg. The Goldner Quartet stick to own choice blacks, while the Australian String Quartet, currently all ladies, go for own choice evening gowns.
Does it matter? Do we like frocking up? And any suggestions for who young artists about town might get to design their costumes?